Rebecca Niederlander’s sculptures and site-specific installations are data visualizations of the ephemeral in life. Her labor-intense abstractions use repetition and the inherent nature of the materials to address the individual’s position within the larger intergenerational community; as well as the micro and macro nature of ego, and ego’s relationship to the necessities of solitude and boredom in the creation of individual thought. She also co-founded the social practice BROODWORK in which she curated, wrote, and designed actions and objects that explored the interweaving of the creative practices and family life—in particular, parenthood. She is married with one son. At its essence: Things fall apart and reconnect. I document it. |
Education | ||
2000 | University of California, Los Angeles. MFA | |
1997 | California College of the Arts (California College of Arts and Crafts), Oakland CA. BFA | |
1987 | Southeast Missouri State University, Cape Girardeau, MO. BA (Mass Communications, Print Journalism) | |
Selected One Person Projects and Exhibitions | ||
2022 |
The Devil's Workshop, Band of Vices, Los Angeles, CA | |
2021 |
Angel of Repose, Terrain Biennial, Los Angeles, CA | |
2019 |
Resonation, Terrain Biennial, Los Angeles, CA |
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2017 |
Memories of El Monte Site-specific permanent installation honoring Art Laboe and the site of the El Monte Legion Hall, El Monte, CA |
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2016 |
Corona, Corona Site-specific permanent installation in private residence, Aspen, CO |
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2015 |
Community Engagement Plan for Antelope Valley Arts Outpost, Los Angeles County Arts Commission, a National Endowment for the Arts Our Town Project |
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BROODWORK: Mending and BROODWORK: Mending 2, (with Iris Anna Regn) Permanent collection of the Los Angeles County Arts Commission | ||
What Do I Care? Part 2, : a collaboration with the schools of Eagle Rock CA, Curve Line Space, LA, CA |
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2014 |
Axis Mundi Museum of Contemporary Religious Art, St. Louis, MO |
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What Do I Care? Part 1, Rio Hondo College, Whittier, CA |
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2013 | Trajector Art Fair-Intermezzo. Brussles, Belgium. curator: Ken Pratt |
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Comprehensive Community Engagement Plan for High Desert Care Clinic, Los Angeles County Arts Commission |
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We are Stardust. We are Golden. And We Have to find our Way back to the Garden. Museum of Art and History, Lancaster, CA |
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Magic Flute set design, Reporatory Opera Company, Pomona, CA |
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2012 | Meteorological Lessons for the Accumulation and Dissemination of Unpredictable Weather Patterns at Andi Campognone Projects, Pomona, CA | |
2010 | The Circle Game, Andi Campognone Projects, Pomona, CA | |
2008 | Finesilver Gallery, Houston, TX. | |
...and now is the time for dreaming, Vincent Price Art Museum at East LA College, Los Angeles, CA | ||
2007 | Slices , 269 N. Beverly, Beverly Hills, CA. a PhantomGalleriesLA project | |
2005 | A Family Tree , Carl Berg Gallery, Los Angeles, CA | |
2004 | Deep End , SolwayJones, Los Angeles, CA | |
Paperworks II, Mirta Demare Visual Art, Rotterdam, Netherlands | ||
2002 | Inscaping, SolwayJones, Los Angeles, CA | |
Crop, Irvine Fine Arts Center, Irvine, CA | ||
Selected Two Person/Group Projects and Exhibitions | ||
2022 | Sui Generis: Debates about the Singular, SoLA Contemporary, Los Angeles, CA Curator: Khang Nguyen | |
2021 | Quiet Isn’t Always Peace, Museum of Contemporary Religious Art, St. Louis, MO Curator: David Brinker | |
The Big Embrace, Durden and Ray, Los Angeles, CA | ||
New Iconography: Artists Raising Children, The Landing Gallery, Los Angeles, CA Curator: Daniel Gerwin | ||
2020 | Surface to Source, Museum of Contemporary Religious Art, St. Louis, MO Curator: David Brinker | |
We Are Here / Here We Are, Durden and Ray, Los Angeles, CA | ||
Art-In-Place, CLN Projects and Terrain Projects, nationwide | ||
Artist and Researcher 4, University of Southern California Health Sciences campus, Heal Program, Curator: Ted Meyer | ||
Opulant Mobilty, Curator: Laura Brody and Anthony Tusler | ||
Home/Front, Curator: Kristine Shoemaker | ||
2019 | Aesthetic Intensity, José Drudis-Biada Art Gallery at Mount St. Mary’s College, Los Angeles, CA | |
Ephemeral, Post, Los Angeles, CA Curator: Virginia Katz | ||
Beta Space, Pae White, San Jose Museum of Art, San Jose, CA | ||
2018 | Holding Up 1/2 the Sky, Roberts Projects, Culver City, CA Curator: Jillith Moniz, Phd | |
2016 | Cut Up/Cut Out, Bedford Gallery at Lesher Art Center. Walnut Creek, CA Curator: Carrie Lederer | |
practice, Practice, practice, Nan Rae Gallery at Woodbury University. Curator: Doug Harvey | ||
Go Big or Go Home, Brand Gallery, Glendale, CA. Curator: Rough Play | ||
2015 | Paperworks, Craft and Folk Art Museum (CAFAM). Curator: Howard Fox | |
We Must Risk Delight: Twenty Artists from Los Angeles, official Collateral Event, la Biennale di Venezia, Biennale Arte. Curator: Elizabeta Betinski | ||
2013 | Orllegro, Pae White, MAK, Vienna, Austria | |
Transitional Beings, Los Angeles International Airport (LAX). Curator: Elizabeta Betinski | Transmissions, Marin Community Foundation. Curator: Patricia Watts | |
2012 | Les Femmes, Architecture and Design Museum, Los Angeles, CA | Critical Making, Garnet Hertz editor, handmade book project in 10 booklets |
2011 | CALIdoscope, Huntington Beach Art Center, Huntington, Beach, CA | |
Loads and Allowances, Rio Hondo College. Curator: Margaret Griffith | ||
2010 | Mother's Night Out. A project by Jemima Brown/Family Viewing at invitation of Centrifugal Projects/Trajector Art Fair at Hotel Bloom! in collaboration with Art Brussels. Brussels, Belgium | |
From Patterns to Pathways Los Angeles International Airport (LAX). Curator: Tim Nolan | ||
7 Days 7 Rings 7 Artists An online project for the Huffington Post. Curators: Rebecca Campbell and Nicole Walker | ||
2009 | Edenistic Divergence, Riverside Art Museum, Riverside, CA Curator: Andi Campognone | |
2008 | At the Brewery Project, 1993-2007: the Finale, Armory Center for the Arts, Pasadena, CA. Curator: Noel Korten | |
Southern Exposure, RubyGreen Art Center, Nashville, TN. Curator: Mery Lynn McCorkle | ||
2007 | Abstraction II, Carl Berg Gallery, Los Angeles, CA | |
Alumni at the Centennial, California College of the Arts, Oliver Arts Center, Oakland, CA. Curator: Julie Joyce, Jo Lauria | ||
Pillow Talk: Small Comforts for Hard Times, Ruth Bachofner Gallery, Santa Monica, CA. Curator: Mery Lynn McCorkle | ||
2006 | Sundown Salon #028: The Young Ones, Fritz Haeg's Sundown Salon, Los Angeles, CA. Curator: Iris Regn & Joyce Campbell | |
Chain Letter, High Energy Constructs, Chinatown, CA. Curator: Doug Harvey and Christian Cummings | ||
Work Space at FAR--The Foundation for Art Resources | ||
2005 | The birth of my son Orion Fuller Turmon | |
2004 | The Political Landscape, Los Angeles Municipal Gallery at Barnsdall. curator: Noel Korten | |
Where We Live: Outside and In, Overtones Gallery, Los Angeles, CA. curator: Kristina Newhouse | ||
Fantasticism, Carl Berg Gallery, Los Angeles, CA | ||
Miniature Worlds, The Brewery Project, Los Angeles, CA. curator: Carolie Parker-Lopez | ||
American Gothic: Talent for the Dark Ages, Gallery C, Hermosa Beach, CA. curator: Tyler Stallings | ||
2000 | Fahrenheit 2000, Cypress College, Los Angeles, CA. Curator: Carl Berg and Paul Paiement | |
1999 | Cerritos College, Los Angeles, CA. Curator: Geoff Allen | |
1998 | Miller Fine Art, Los Angeles, CA | |
1997 | Toki Gallery, Berkeley, CA | |
1995 | Voices and Visions, 171 Cedar Arts Center. Corning, NY | |
Objects of Desire, Martin Schweig Gallery. St. Louis, MO | ||
1995,94 | Faculty Exhibition, Community School of Music and Arts. Ithaca, NY | |
1994 | 30th Anniversary Blowout, Craft Alliance. St. Louis | |
Arnot Art Musuem. Elmira, NY | ||
1989 | Martin Schweig Gallery. St. Louis, MO | |
Curatorial and Writing Projects | ||
2020 | Write Rebecca Niederlander for How We Are online pandemic project | |
2019 | Write Don’t Kill the Messenger, for Kristine Shoemaker's Perceive Me catalog | |
Host site Terrain Biennial, Los Angeles, CA | ||
2014 | Writer, Cultural Reproducers: Propositions, Manifestos and Experiments, HalfLetter Press with Iris Anna Regn | |
2012 | Curate Nothing Comes Out Of The Ground Straight, Andi Campagnone Projects, Pomona, CA | 2010-12 | Herman Miller Company, Lifework blog, Family and Design representative, with Iris Anna Regn |
2011 | Co-curate BROODWORK: It's About Time with Iris Anna Regn at OTIS College of Art and Design | |
Catalog co-editor and author, It's About Time catalog for OTIS College of Art and Design, Los Angeles, CA. | ||
Co-curate BROODWORK: Marking Time video project at invitation of Trajector Art Fair at Hotel Bloom! in collaboration with Art Brussels. Brussels, Belgium | ||
Co-curate BROODWORK: Marking Time Cause for Creativity at Santa Monica Museum of Art | ||
2010 | Co-curate BROODWORK Meets Family Viewing project at invitation of Trajector Art Fair at Hotel Bloom! in collaboration with Art Brussels. Brussels, Belgium | |
Co-curate BROODWORK: Outdoor Family Garden Tour and BROODWORK: the Lecture with Iris Anna Regn, for the Sunblock Family Events Series, LA Forum for Architecture and Urban Design | ||
2009 | Co-curate BROODWORK Creative Practice and Family Life at Center for the Arts, Eagle Rock | |
Joe Davidson essay in the 2009 COLA Exhibition at the Los Angeles Municipal Gallery at Barnsdall Art Park | ||
2007-09 | Reviewer for ArtScene Magazine. Previews for Mark Dutcher, Ben Jackel, Kim Tucker, Klutch Stanaway, Contemporary Art From India, Jennifer Vanderpool. Sightseeing in St. Louis, and frequent reviews. | |
2007 | Carrie Ungerman essay in the 2007 COLA Exhibit at the Los Angeles Municipal Gallery at Barnsdall Art Park | |
2005 | Secrets and Light essay for Donnie Molls exhibit at Carl Berg Gallery, Los Angeles, CA | |
2, 4, 6, 8...Time to Transsubstantiate! Paul Paiement exhibit catalog, Laguna Art Museum/Laguna Wilderness Press | ||
Catalog for terra firma: part 1 ceramics exhibit at Manhattan Beach Art Center, Manhattan Beach, CA | ||
2004 | Hieronymus Slept Here at Irvine Fine Arts, Irvine, CA. | |
Peter Shire Review. American Ceramics. Vol. 14, issue 4, Fall 2004. p. 62 | ||
Eelcmwo ot hte wlodr fo nseert vdieral* (welcome to the world of ernest velardi) Cypress College exhibit catalog essay | ||
2001 | SuperPhat: Big-Time Innovation at Remba Gallery and Mixografia Workshop catalog essay for Superphat at Cypress College, Cypress, CA. | |
The Ambassadors of Ulipio (Why It is Okay to Feel Again) in Scripps College 57th Ceramic Annual Catalogue, Claremont CA, Scripps College/Perpetua Press | ||
2000 | Better Living through Tea: Contemporary Artists Investigate Two Forms in Color and Fire: Defining Moments in Studio Ceramics, 1950-2000 Los Angeles County Museum of Art/Rizzoli International Publications | |
1999-2000 | Assistant for Color and Fire: Defining Moments in Studio Ceramics, 1950-2000 LA County Museum of Art | |
Bibliography | 2022 | Heitzman, Lorraine Rebecca Niederlander: Wood is Everything, Art And Cake, June 29 | 2021 | Martinique, Elena, Artists As Parents, A New Iconography, Wide Walls, April 13 |
Walters, Sydney, New Iconography: Artists Raising Children, Art and Cake, May 2 | Dambrot, Shana Nys, The World is Out There, LA Weekly, March 25 | 2020 | Knight, Christopher, Miss seeing art? 100 artists come to the rescue with work in public view across L.A., Los Angeles Times, May 22 | Miranda, Caroline A., Essential Arts, Los Angeles Times, May 23 |
Brinker, David Museum of Contemporary Religious Art Blog: Taproot/Rebecca Niederlander | 34 Things to Do in L.A. This Week While You’re Safer at Home, WeLikeLA.com, May 21 | Remenchik, Jennifer, An Exhibition Across Los Angeles Takes on New Meanings in Times of Protest, Hyperallergic, June 11 | Davis, Genie This Weekend, Durden and Ray puts Art on the Map, Art and Cake, May 15 | 2019 | Voyage LA, Check Out Rebecca Niederlander, November | 2018 | Art and Cake, Two Important Exhibitions Shine at Roberts Projects, November |
Nartonis, Katie, Artist-in-Residence: Rebecca Niederlander, SoCal Magazine, March | ||
2016 | Artscene, Continuing and Recommended for Paperworks, January | |
2015 | Slenske, Michael, Paper Takes Center Stage at Los Angeles’s Craft and Folk Art Museum In “Paperworks,” artists from around the world create innovative works in the traditional medium, Architectural Digest, September | |
Vikram, Anurhada, City Among Nations: Los Angeles at the Venice Biennale, KCET: Artbound, May | ||
Vankin, Deborah, On Craft & Folk Art Museum's golden anniversary, 'Paperworks' is a cutting-edge gift, Los Angeles Times, September | ||
Black, Ezhra Jean, Cut paper, Consuming Plastic; Cold Steel, Colder Flesh, Artillery Magazine, October | ||
Wagley, Catherine G., Paperworks, Kolag Magazine, Issue #14 | 2014 | Miller, Sarah Bryan, Axis Mundi, St. Louis Post Dispatch, September |
Wikipedia entry for BROODWORK | ||
Potter, Steve, CityScapes St. Louis Public Radio interview, September | Scherrer, Melissa and Laura Klein , MotherFridayShow interviews BROODWORK, MotherFriday Radio through ExchangeWorks, | Beckert, Nicole, Center of the Worlds, The Riverfront Times, September |
Pieper, Troy, Art of Reproduction, Fnews, School of the Art Institute of Chicago, November | ||
Coulter, Steve, @LA_SMB-BROODWORK | ||
2013 | Allen, David, Flash! Youth Movement Strikes Pomona Opera, Inland Empire Daily Bulletin, April | |
Coggan, Annie,Poppy Building, Chairs And Buildings. August | ||
Loveless, Natalie, review of The M Word: Real Mothers in Contemporary Art, Birnbeck University of London Journal Studies in the Maternal, November | ||
2012 | Walker, Alyssa, American Pastoral DWELL, August | |
Last Call: Nothing Comes Out of the Ground Straight., Artweekla, December | ||
Plan For Your Art: Best Opportunities This Week, For Your Art, July | ||
Jao, Carren, Women Rule A+D's Come In! Annual Exhibit, Architect's Newspaper Blog, July | ||
Who, What, Wear, Angelino Magazine April, 2012, | ||
Art + Fashion at A+D = Celebrate! The Wearable, Studio of Style, March | ||
Interviewed by Aresti, Klaudia, LA360 KTLK radio program about Women in Art | ||
Fashion for Love (+$), Kali Nikitas.com, March | ||
Wearable Architecture at the A+D Museum's Annual Fundraiser, CurbedLA, March | ||
8 Things We Learned at Fashion Week, Style Section LA, March | ||
2011 | Arieff, Allison, Beyond the Cubicle, New York Times July 18, 2011 | |
Lange, Alexandra, The Only Thing There's Just Too Little Of, Design Observer, April | ||
Kudler, Adrian Glick, A Bonaventure Adventure, CurbedLA, October | ||
Kottke, James, kottke.org July 28 | ||
ZingRecsLA, Zing Magazine, April | ||
Walker, Amanda, Balancing Act, The Architect's Newspaper, May | ||
Kazovsky, Alla, Broodwork's It's About Time and talking to Strangers, Huffington Post, May | Interviewed by Aresti, Klauda, LA360 KTLK radio program about BROODWORK | |
Interviewed byRochielle, Jules, about BROODWORK Social Practices Art Network | ||
Home is Where the Art Is, ArtWeekLA, April | ||
Singh, Ajay, 'It's About Time' you understood time, Eagle Rock Patch.com April | ||
Bush, Bill, Balancing (Art) Work and Family, Huffington Post, April | ||
AIGA LA recommendations, April | ||
LA FORUM for Architecture and Urban Design Delirious Calendar, April | ||
Obsessed By, the blog of Plastical, April | ||
2010 | Art Scene: Recommended Exhibitions: Edenistic Divergence January | |
Brown, Jemima, Enemies of Good Art interviews Broodwork Resonance 104.4FM., November | ||
Famera, James, An Artist Finds Her Muse in Eagle Rock Eagle Rock Patch.com, October | ||
BROODWORK + BCF, Evil Monito.com August 12 | ||
Harris, Cerentha Inspiration: Artist Rebecca Niederlander .Herman Miller Co. blog Lifework. May | ||
Studio Practice, ArtTextCloth, December, | ||
Home Work, Abigail Doan blog, November | ||
Lamb, Ket, alter eco. Juli B blog, May 18 | ||
2009 | Design Sponge Metal and Wire September 16 | |
Davies, Stacy, Paradise Lost: Edenistic Divergence examines the human impact on perfection IE Weekly, December | ||
Lieu, Lynn, Edenistic Divergence: Pick of the Week. IE Weekly, November | ||
Klabin, Karen, Interview with Rebecca Niederlander and Iris Anna Regn, Coagula Art Journal, Issue #99 | ||
Harris, Cerentha Art: Rebecca Niederlander July 13, 2009 thisisadesignblog.com | ||
Top Pick for Broodwork: Creative Practice and Family Life, Los Angeles Times June 11 | ||
Design Sponge Swoon: Rebecca Niederlander January 31 | ||
Fairytale Wishes and Caviar Dreams Creative Wavelength January 31 | ||
Paper Crave Paper Art by Rebecca Niederlander February 6 | ||
Apartment Therapy/Chicago February 6 | ||
2008 | Hargreaves, Kathryn, Rebecca Niederlander, Artillery Magazine January, p.39 | |
Davies, Stacy, Connecting the Dots: Sum of Parts Illuminates the whole of conceptual collage. IEWeekly, March 13 | ||
Inouye, Amy, Rebecca Niederlander: Wound Up Tight, But in a Good Way. Coagula Art Journal January, p. 18 | ||
Hargreaves, Kathryn, Sum of Parts exhibition essay | ||
Nolan, Joe, Critic's Pick, Nashville Scene, October | ||
Nys Dambrot, Shana, Flavorpill September 2 | ||
Herrera, Ana Mobile, The Goose Goloso, February 1 | ||
Work used for Bryce & Bouji fashion house 2008 Lookbook | ||
2007 | Joliet, Laure, I heart simple/complex art. At Home At Home, Sept. 14 | |
Scarborough, James, Abstraction II, What the Butler Saw, August 16 | ||
2005 | Myers, Holly Drive of the Human Spirit. Los Angeles Times, December 2 | |
Art Scene: Recommended Exhibitions: American Gothic: Talent for the Dark Ages January | ||
Wyszpolski, Bondo Touch Me Hermosa Beach Easy Reader, April 7 | ||
2004 | Frank, Peter, Recommended: Fantasticism. LA Weekly. July 2-9, 2004 | |
Wyszpolski, Bondo American Gothic: Talent for the Dark Ages Hermosa Beach Easy Reader, December 16 | ||
Cunningham, Mark, Decay and Decrepitude. Rarified Air December 9 | ||
DuTan, Stephanie, Rebecca Niederlander: The Deep End of Intelligence. Coagula Art Journal August, p. 24 | ||
Frank, Peter Elizabeth Bryant and Rebecca Niederlander at SolwayJones, ArtWeek p.22 | ||
Frank, Peter, Recommended: Where We Live: Inside and Out. LA Weekly. June 4-10, | ||
Art Scene: Recommended Exhibitions: Where We Live: Inside and Out June | ||
Frank, Peter, Recommended: Deep End. LA Weekly. May 14-20, 2004, p. 148 | ||
art.blogging.la Mixed Media @Overtones, May 7 | ||
Tang, Beverly, Deep End. BTang Phlog. April 26 | ||
Frank, Peter, Art Pick of the Week: The Political Landscape. LA Weekly, April 9-15 | ||
Pagel, David, Our Place in the World. Los Angeles Times, March 25 | ||
Korten, Noel The Political Landscape Catalog, Los Angeles Municipal Gallery at Barnsdall Art Park | ||
2002 | Art Scene: Recommended Exhibitions: Crop. October | |
Ohlman, Leah, Sculptor Finds the Mystery in Reality. Los Angeles Times, August 2, p. F28-29 | ||
Frank, Peter, Recommended: Inscaping. LA Weekly, August 2-8, p. 126 | ||
2000 | Anderson, Michael, Fahrenheit 2000 Catalogue, Cypress College, Los Angeles, CA | |
1999 | Speight, Charlotte and John Toki Hands in Clay Mayfield Publishing | |
1997 | Speight, Charlotte and John Toki Make It With Clay Mayfield Publishing | |
1994 | Shepley, Carol Fering, Shining Lights: Craft Alliance Celebrates 30th Anniversary St. Louis Post Dispatch, Sept. 7 | |
Soltys, Jacqueline, Cedar Arts Showcases Women Artists Ithaca Journal, March 10 | ||
Lockmer, Kelly Rebecca Niederlander: Art in Residence Ithaca Times, May 15 | ||
Arts Activities | ||
2019 |
Discussion host for “What’s In It for Me? Navigating a socially engaged creative life”, Virginia Katz’ Arts Discussion Group, ESLA Gallery, Los Angeles, CA |
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2016 |
Journey Agent Training public workshop at Brand Library and Gallery, Glendale, CA |
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building, Building, building blocks, Blocks, blocks: an afternoon of intergenerational wood fun public workshop at Nan Rae Gallery at Woodbury University, Burbank, CA |
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2015 |
Presenter at LA as LAB: Innovation in Arts & Culture Conference, Claremont Graduate University, Claremenot, CA |
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Presenter at MESC (Museum Educators of Southern California) Annual Meeting |
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Hexaflexaperfecta! public workshop at Craft and Folk Art Museum, Los Angeles, CA |
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2014 |
Artist-in-Residence, Rio Hondo College, Whittier, CA |
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Pre-approved artist, Los Angeles County Arts Commission for BROODWORK |
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Pre-approved artist, Los Angeles Metropolitain Transit Authority |
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Artist-in-Residence, Pilgrim School, Los Angeles, CA |
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Guest Artist, San Raphael Dual Emersion Elementary School, Pasadena, CA |
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Panelist, The Feminist Art Project at CAA, Chicago, IL |
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2013 |
Panelist, Colloquy: Parenthood in the Art World. Museum of Contemporary Art, Los Angeles, CA | |
Pre-approved Public Engagement Artist, Los Angeles County Arts Commission | ||
Interviewed, Come In, We’re Open, Performing Public Space archive of social practitioners, Los Angeles City College | ||
2012 | Mentor, San Francisco Art Institute MFA program | |
Guest Lecturer, Los Angeles County Arts Commission, Open Office Program | ||
Guest Lecturer, Art Center of Design, Pasadena, CA | ||
2012-2014 | Advisory Board, American Museum of Ceramic Art, Pomona, CA | |
2011-2014 | Chair, Art Docent Program, Paradise Canyon Elementary School, La Canada, CA | |
Advisory Board, Architecture and Design Museum, Los Angeles, CA | ||
2011 | Artist-in-Residence, Los Feliz Charter School for the Arts, Los Angeles, CA | |
Guest Panelist at Claremont College, Claremont, CA | ||
Participant in Re-Visions of LA, Los Angeles Contemporary Exhibitions, Los Angeles, CA | ||
2009 | Artist-in-Residence, East Los Angeles College | |
Grants and Honors | ||
2014 | Chosen for Pre-Qualified Pool for Civic Art Projects. Los Angeles County Metropolitan Transit Authority (Metro) | BROODWORK chosen for Pre-Qualified Pool for Civic Art Projects, Austin Texas |
BROODWORK chosen for Pre-Qualified Pool for Civic Art Projects. LA County Arts Commission | ||
2012 | National Endowment of the Arts Arts Education in Communites Grant for City of Pomona, CA project | |
2011 | Grant for BROODWORK: It's About Time, Pasadena Arts Alliance | |
Grant for BROODWORK: It's About Time, Culture Ireland | ||
2007 | ARC Grant. The Durfee Foundation, Los Angeles, CA | |
2003 | Artist's Residency. Stichting Kaus Australis, Rotterdam, Netherlands | |
1999 | Orselli Graduate Fellowship. University of California-Los Angeles | |
1998 | D'Arcy Hayman Graduate Fellowship. University of California-Los Angeles | |
1996 | President's Recognition Award. California College of the Arts, Oakland, CA | |
1992 | Individual Grant. Council of Creative and Performing Arts, Cornell University | |
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